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‘Grasses of the margins’

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Photo courtesy of asergeev.com

Let’s start with an exercise.

Hold out your thumb and observe how large it is.

It’s likely no taller than two nickels stacked on top of each other with the thickness of a couple of pencils. The variation of size might vary from person to person, but the general sentiment remains the same.

Hold up your thumb in the room you’re in. How much space does it take up now? 

Step outside to your patio or your yard, and repeat the exercise. The ratio has gotten increasingly smaller.

Keep that perspective in your mind because that thumb — that imminently crucial yet disproportionately small portion of your body — is roughly the same size as a cultivar of grass. This might not mean a lot at first, but hold that image for a bit and you start to understand how much influence these tiny tangles of blades and roots possess.

It only hurts so bad because you care so much

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Photo of Aaron Murray and Todd Gurley at the 2012 SEC Championship Game courtesy of Parrish Walton

Stop me if you’ve heard this one before.

There’s this longtime underdog team. Much of its existence has been a mixture of a few tantalizingly close highs balanced out by a preponderance of underachieving lows. The fans are loyal and true, but they’re growing more and more restless. The years of falling just short are wearing on them. 

They’re ready to win. Finally.

The team makes it to a championship game. Everything is on the line. The thing the loyal fans have wanted for so long seems within reach. 

And things are going great! The underdog has built up a pretty big lead early against an opponent that has long dominated the sport. Surely, this is the year it all comes together. This is the time they finally break through.

But … they don’t. 

There are some confusing coaching decisions. The once confident players now seem suddenly unsure. Anxiety builds among the fanbase. That dreaded, familiar feeling washes over them.

Here it comes again.

Wrestling with the Hall of Fame

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Photo courtesy of Marc Lancaster

In the years before I crossed the threshold to become a Baseball Hall of Fame voter, I always swore I wouldn’t be one of those writers who yo-yoed on candidates from year to year. 

Some voters’ apparent distinction between a “first-ballot” Hall of Famer and a run-of-the-mill Hall of Famer — like the handful who dropped previous support of other candidates to vote for Derek Jeter and no one else last year — made no sense to me. Hall voting is mostly, though not entirely, a function of statistics. And it’s not like any of these guys’ statistics change from year to year once they retire. 

Yet there I was late last month, agonizing as always over which boxes to check, reevaluating a couple of players who have been on the ballot for years and never received a vote from me. 

The Future of Football: Collective bargaining

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Picture of Alabama football players on the field.
Photo courtesy of Pixabay

We’ve updated this story after some additional conversations and new developments in the past day.

The demands don’t seem to be that outrageous, right?

Fair wages to compensate you for your work. Appropriate safety protocols to help navigate a global pandemic. A comfortable, trusting environment that fosters open dialogue.

It’s what most employees would want in their workplaces, and it’s what most individuals can seek through a variety of measures, such as job transitions or collective bargaining. In the world of college athletics, however, such demands are treated more often than not as controversial requests.

But both the COVID-19 pandemic and the Black Lives Matter protests surrounding the tragic death of George Floyd have spurred an important awakening among athletes at all levels of play. While professional athletes have the protection of their unions to give them the necessary leverage to demand — and enact — change, student-athletes have lacked that type of singular, unified voice to push for change.

That appears to be changing.

Still in Dale Earnhardt’s shadow, NASCAR leans into future

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Photo courtesy of Joe VanHoose

It’ll be 20 years Thursday since Dale Earnhardt, the greatest NASCAR driver of his generation, died on the last lap of the 2001 Daytona 500. 

No, that can’t be right. 

How can it be 20 years since my greatest hero was found to be mortal? I can still remember being bummed with my mom at Daytona International Speedway the Thursday prior when Earnhardt lost the lead on the last lap of his Daytona 500 qualifying race. I can still remember racing off to my job at Baskin Robbins as FOX left the air that Sunday, my mom saying to me, “I don’t like this” as I walked out the door. 

Me neither.

I remember the phone call from my brother at work. Fortunately, the ice cream parlor was empty. 

“Dale’s dead,” my brother’s voice told me directly. That’s when I found out, but I already knew. 

NASCAR changed forever that day, and it’s been changing ever since. An entire generation of drivers have come and gone since Earnhardt helped steer it to national prominence. It’s hard to say what he would think about NASCAR’s path it has been on since he left us. 

Preserves: More than simple

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It’s just sugar, water and fruit with some lemon juice.

Nothing more. Nothing less.

Yet, such simplicity is deceiving. 

At the end of the day, the only one it’s simple for is my paternal grandmother, who has been making jars and jars of pear preserves since the 1940s. For years, various members of my family have attempted — and failed — to replicate what, on the surface, would seem to be the most basic of recipes. We’d look up methods in cookbooks, pick her brain and give it a go only to wind up with the same result.

It’s good, but it’s not quite there and I don’t know why.

‘My people are food people’

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Photo courtesy of André Gallant

This is a guest essay from André Gallant, who is a writer, editor and photojournalist based in Athens. His work has appeared in The Oxford American, Gravy, Bitter Southerner, the Atlanta Journal-Constitution, Southern Cultures and Atlanta Magazine. He is the author of The High Low Tide, a work of narrative nonfiction about the Georgia oyster industry published by UGA Press in 2019.

I’d wager many of us — those of us who are being COVID-19 cautious — pine for a sit-down restaurant meal, and that longing is accompanied by harsh physical symptoms, not unlike the gut punch that DeVonta Smith delivered as he slipped behind a Georgia defender en route to an agonizing run to the endzone in 2018.

Recently, when I returned home from my first day of public, face-to-face work in months, teaching part-time at the University of Georgia, I wanted to do nothing more than shake off the stress at my most happiest of places: a booth at Tlaloc in North Athens, where I’d normally line up empty glasses of charro negro, a spiced and limed Coke and tequila cocktail, consume my weight in enchiladas de mole, and regain some sense of calm.

That therapy hasn’t felt like an option lately and I feel worse for it. It’s not the lower caloric intake or diminished buzz that hurts the most. I miss my people. 

My people are food people. 

The redeye(s) to Mississippi

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Photo courtesy of Joe VanHoose

I had no good reason to check into a king suite at the Hampton Inn in Tupelo, Mississippi the evening of Friday, Sept. 23, 2011 — well, the morning of Sept. 24. I still had tickets in my pocket to the Florida-Kentucky football game in Lexington scheduled for that evening. I didn’t even have a change of clothes. 

Nevertheless, I slid in the room key, used the complimentary toothbrush and toothpaste to scrub away the lingering taste of fried chicken and beer, and slid into the king-sized bed. I looked at the clock on the nightstand. It was way too late. 

But as my head hit one of the five pillows on the bed, I was entirely too awake.

Huh, so that’s what Adderall does.

Family Recipe: In appreciation of cookbooks

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Family recipe

My favorite books are scattered about my house.

I’m prone to re-reading, so they’re kept within a not-so-metaphorical arm’s length of my grasp.

When winter rolls around and the wind’s cold breath chills our house in a way that makes our heater work extra hard, I reach for the worn copy of Ethan Frome in my bedside table. I first read it in high school, initially thinking I’d hate this literary assignment from Mr. Barnwell.

I devoured it in less than two days.

The same goes for Stephen King’s Salem’s Lot, minus the aforementioned initial apprehension. It’s spooky and creepy and weird and, yes, distinctly Maine in some places, and I just adore it. If I need a bit of a fright as we near Halloween, I’ll just flip through its pages until we get to Danny Glick hovering outside the second-story window, tapping at the glass, asking to be let in the house.

Where are the prophets?

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This is a guest essay from Jason Smith. He holds a Ph.D. in theology from Vanderbilt University and, by his own admission, writes about sports, theology and philosophy on the internet sometimes. He teaches at Tougaloo College in Jackson, Mississippi. Earlier this year, he explored the morality of college football returning to play during the pandemic.

When I was a sophomore at the University of Georgia I decided, like a lot of nerdy sophomores in college do, to watch all of the 1001 Movies You Have to See Before You Die. I realized pretty quickly this was a terrible idea because I did, in fact, have to attend class and read books.

I settled instead on the 100 Greatest Movies from the American Film Institute since 100 is less than 1001 and got to work filling in the gaps of my cinematic knowledge.

One of the movies that has stuck with me is On the Waterfront, the Elia Kazan Best Picture winner starring Marlon Brando. You’ll know it as the “I coulda been a contender!” movie, if you know it at all.

The only thing I knew about On the Waterfront going into it was that line. I had no idea that the plot revolved around a mob boss taking over a longshoreman’s union and black balling a washed-up prize fighter — a prize fighter whose career he himself soiled after convincing him to throw a fight.

I’m not sure I would’ve found that all that interesting but for the inclusion of a priest — Father Barry, played by Karl Malden and his legendary schnozz.

Father Barry has stuck with me because he was the first time I saw a fictional representation of a Christian minister advocating for economic justice. I was used to priests and pastors in movies symbolizing a hypocritical hyper-morality that had to be sloughed off, institutional corruption that had to be fought, or a benevolent yet myopic concern for the soul and the soul alone.